You see it every day, a passing parade of new-tech gizmos crowding the market.

From phones to mobile Internet devices, digital cameras, music players, and mini notebooks–and on the home theater side–formats that whither and die just a couple of years after their much ballyhooed introductions. Every day there’s more junk.

Most of this glittering assortment of wowie-zowie tech trinkets are destined to take up landfill space in five years or less. That’s apparently OK; nobody expects to keep an iPhone all that long, and besides there’s always something new, jam-packed with the latest tech to buy. Why would anyone expect to just buy something good enough to use for a decade or more?

Audio is the exception to that mindset. It seems like I’ve met a gazillion baby boomers still using the hi-fis they bought around the time of the first Woodstock. One Audiophiliac reader bemoaned the fact that his 20-year-old $600 speakers were now beyond repair. He got 20-something years of use out of the speakers–and that’s not enough.

Woodstock-era audio, still going strong.

(Credit: McIntosh Labs)

When it comes to audio people think it should last forever, though some of the best stuff comes close. For example, the “other” McIntosh, the audio company, still factory services amplifiers built when Nixon was president. Gee, I wonder if Apple would fix your dad’s Apple II?

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Abuse it, and you'll lose it.

(Credit: Steve Guttenberg)

When I can hear a teenager’s headphones through the din of a NYC subway car, I know he’s on his way.

If I’m sitting a good 10 feet away from him and can still hear the …

A Nano docked into the Wadia 170i Transport.

(Credit: Steve Guttenberg)

I never thought I’d say this, but I’m starting to think the iPod is a true high-end audio component. What’s changed? I heard it in my high-end system, docked into Wadia’s 170i Transport ($379). I can now testify to the iPod’s bona fides.

Thing is, an iPod, even one loaded with uncompressed AIFF or WAV files, isn’t all by itself a high-end component, but teamed with Wadia’s 170i Transport, aka, dock, an iPod is elevated to high-end status. The transformation takes place when the Wadia transmits the iPod’s zeros and ones to an outboard digital-to-analog (D/A) converter in your A/V receiver, or even better, a standalone high-end D/A. Wadia’s claims that the 170i is the first and only “dock” to extract a digital output from an unmodified iPod.

The 170i’s digital out sends a 16 bit/44.1 kHz PCM digital signal to a D/A. The 170i does that for MP3, AAC, Apple Lossless, AIFF, and WAV files, but just be aware that it converts all but AIFF and WAV to 16/44.1. It can also pass 16/48 PCM, but in most cases 16/44.1 is what you’ll get.

According to Wadia’s national sales manager, Martin Cooper, iPods store MP3, Apple Lossless, and AAC files in Apple’s own digital language, and when an iPod is nestled into a 170i it converts those files to 16/44.1 PCM. That way, the signals can be processed by the D/A in your A/V receiver or high-end D/A. MP3, Apple Lossless, and AAC files will sound “good,” just not quite the same as the original CD. In other words, only AIFF and WAV files can be heard with bit-for-bit accuracy over the 170i.

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Thin is in: the MG1.6/QR

(Credit: Magnepan)

A perfect speaker wouldn’t sound like a speaker. That’s the goal after all, the speaker should disappear and we should just hear the sound. With perfect speakers the instruments and voices on the recording would sound life-size and completely …

(Credit: Steve Guttenberg)

I’m talking about listening to music, as opposed to having music serve as background to other activities. “Listening” when you’re on the computer, making dinner, reading, driving, running, working, etc isn’t the same thing as listening at home without doing anything else.

A friend who owned a record store in the 1980s put it best when he said, “Recorded music is the worst thing that ever happened to music.” At first I thought he was kidding, but he explained that before Edison recorded sound most families played music, on their own instruments, at home. Most middle class families had a piano, or at least a guitar and sang and played at home. Involvement was on a whole different level than it is now for most people.

Records changed that, so fewer and fewer people played instruments, but at least they were listening to records. They’d put a LP on the record player, sit down and listen to music. Yeah, I know that seems a little strange in 2008, but people actually did that on a regular basis. Especially when they bought a new LP or 45, when they really wanted to take it in, they listened with their eyes closed.

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The Audiophiliac (L) poses with Boston's Eli Harary

Boston Acoustics was in Manhattan earlier this week to demonstrate its new Vista Series speakers. Boston kicked up the styling and all of the speakers feature radical “wave-like” curves and drop dead gorgeous lacquer paint jobs. The high gloss black …

(Credit: Davone Audio)

You’ve probably never seen anything like the Davone Rithm, whose swooping curves and daring good looks are a new take on Danish speaker design. The Rithm features an 8-inch coaxial driver with a 1-inch tweeter placed in the center of the woofer.

The Rithm’s bowed …

Matthew Polk (left) poses with The Audiophiliac.

(Credit: Adam Sohmer)

Mr. Polk Audio himself, Matthew Polk, was in town last week at the Grand Hyatt Hotel in Manhattan to demo his newest creation, the SurroundBar 360 DVD Theater ($1,200).

I reviewed Polk’s SurroundBar 50 in June and liked it well enough, and while the SurroundBar 360 doesn’t replace the older model it’s more highly evolved. First off, it’s a powered system so there’s no need to buy an A/V receiver to use it. And as you might have judged by its name, the new one is a two-piece, speaker and console/DVD player system. Just add a display and you’re good to go.

Oh, and one more thing–you won’t have to add a subwoofer–the SurroundBar 360 makes a fair amount of bass on its own. When Polk played the system I assumed there was a sub somewhere in the hotel room, but in fact the skinny speaker produced a big, fat bass sound all by itself.

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(Credit: Woo Audio)

You have two grand to spend on a fantastic stereo system. Can your cash get you there? Yes, it can!

In this case, we’re talking about a headphone-based system, but I will in the coming months cover speaker-based audiophile-grade systems for less than $3,000.

For …

(Credit: Woo Audio)

Would you buy a Ferrari for $1,050? OK, how about a $1,050 headphone amplifier?

The Woo Audio WA6 Special Edition headphone amp is built to Ferrari levels of quality and performance. Even before I listened to it, I knew it was going to be amazing.

It’s a two-piece design. One chassis contains the power supply, the other is the amplifier proper. The pewter color, die-cast chassis parts are finished to a high standard, fully equal to $10,000 stereo amplifiers I’ve reviewed, but the WA6-SE is a good deal smaller than your average high-end amplifier. The two chassis together fill just 11.25 inches by 10.25 inches of shelf space.

The WA6-SE is a pure tube design, without a single semiconductor or integrated circuit in the entire amp. It’s hand-crafted in New York’s Queens borough, and there are no printed circuit boards; all wiring is point-to-point hand-soldered. Woo Audio builds each amp to order, so it can incorporate custom options and offer a wide range of upgraded parts. Current build time is about three to four weeks.

Woo Audio offers an extensive range of headphone amplifiers. Prices start at $470 for the Woo Audio 3; the top-of-the-line WA5 LE runs $2,400. When I heard the $585 WA6 amp a few months ago, I was knocked out by its sound.

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